The Art of the Unreliable Narrator in Horror
- Bryan Alaspa
- Apr 24
- 4 min read

In horror fiction, trust is a fragile thing. When you pick up a book or settle in for a movie, you assume the narrator is guiding you through the story with honesty—or at least enough of it to make sense of the terror unfolding. But what happens when the very voice you rely on can’t be trusted? Welcome to the chilling realm of the unreliable narrator, one of horror’s most powerful—and unsettling—tools.
What is an Unreliable Narrator?
An unreliable narrator is a character who tells the story but whose credibility is compromised. They might be lying, delusional, mentally unstable, or simply withholding the truth. In horror, this device cranks up the tension by blurring the line between reality and imagination, often leaving readers or viewers disoriented and paranoid.
Horror thrives on uncertainty. The unreliable narrator exploits that by making us question every moment. Did the haunting really happen, or was it a hallucination? Was there truly a monster, or just a breakdown in perception? This ambiguity is what makes the unreliable narrator so devastatingly effective in the genre.
Why the Unreliable Narrator Works So Well in Horror
Unlike in other genres, horror uses the unreliable narrator to amplify fear itself. When readers can’t trust the storyteller, they become participants in the madness. This lack of certainty forces us to live inside the character’s fractured mind, experiencing terror not just from outside threats, but from within.
This technique also lets horror writers explore themes like mental illness, trauma, guilt, and paranoia. The reader’s perception of the truth becomes distorted, which mirrors the narrator’s own experience of the world. The result is a uniquely intimate and disturbing journey into darkness.
Classic Examples of Unreliable Narrators in Horror Fiction
Here are some famous—and frightening—examples that showcase the power of this narrative trick:
1. The Tell-Tale Heart by Edgar Allan Poe
One of the earliest and most iconic uses of the unreliable narrator comes from Edgar Allan Poe. The narrator in The Tell-Tale Heart insists he is sane, even as he describes a murder he committed and the imaginary sound of a still-beating heart driving him mad. Poe brilliantly lets us spiral with the narrator into a psychological nightmare where guilt and insanity fuse.
Why it works: Poe’s narrator is delusional, and his desperate need to convince the reader of his sanity makes us doubt every word he says. It’s a masterclass in psychological horror.
2. The Yellow Wallpaper by Charlotte Perkins Gilman
In this chilling short story, a woman suffering from postpartum depression is confined to a room by her husband. As the days drag on, she becomes obsessed with the wallpaper and starts seeing figures trapped within it.
Why it works: The story is told through diary entries, and the reader gradually watches the narrator's mental health deteriorate. The horror isn’t in the wallpaper—it’s in her descent into madness, made worse by the people who claim to be helping her.
3. American Psycho by Bret Easton Ellis
Patrick Bateman, the narrator of this controversial novel, confesses to heinous acts of murder and violence. But as the book goes on, readers begin to question whether any of it is real or just a twisted fantasy in Bateman’s mind.
Why it works: The ambiguity is the horror. Is Bateman a psychopath or a fantasist? Is society ignoring him or enabling him? The unreliable narration creates a surreal, terrifying portrait of narcissism and moral decay.
4. We Have Always Lived in the Castle by Shirley Jackson
Narrated by the quirky and disturbed Mary Katherine “Merricat” Blackwood, this novel slowly reveals the truth about a family tragedy. Merricat’s voice is strange, childlike, and deeply unreliable.
Why it works: The narration lulls you into a false sense of whimsy before turning sinister. You realize, too late, that Merricat isn’t just eccentric—she’s dangerous.
5. Gone Girl by Gillian Flynn
While not strictly horror, Gone Girl uses the unreliable narrator in a way that has influenced modern horror-thrillers. Both Nick and Amy Dunne tell their sides of the story—and neither is being completely honest.
Why it works: The shifting perspectives force the reader to constantly reassess what’s true. It’s a suspenseful mind game that showcases how powerful unreliability can be when done right.
Unreliable Narrators in Horror Films
It’s not just in books—horror films also love playing with unreliable perspectives. Some standouts include:
Jacob’s Ladder (1990) – A war veteran’s nightmarish hallucinations make it impossible to tell what’s real.
The Others (2001) – Told from the mother’s point of view, the film hides a massive twist based on unreliable narration.
Session 9 (2001) – A slow burn that puts you inside the unraveling mind of a man losing grip on reality.
The Machinist (2004) – A haunting portrayal of guilt and sleep deprivation, where the main character may be imagining everything.
How to Write an Unreliable Narrator in Your Own Horror Story
If you’re a writer, incorporating an unreliable narrator into your horror story can add layers of complexity and fear. Here are some tips:
Establish credibility first – Make your narrator seem trustworthy before letting the cracks show.
Drop subtle hints – Leave clues that something’s off without revealing everything at once.
Use limited perspective – First-person or deep third-person points of view help keep the audience locked inside the narrator’s mind.
Play with memory and perception – Flashbacks, hallucinations, and false memories can all create disorientation.
Build toward revelation – The big reveal (whether it’s a twist or a slow understanding) should feel earned and chilling.
Why Horror Fans Love Unreliable Narrators
For fans of the horror genre, unreliable narrators are more than just a gimmick—they’re a challenge. They invite re-reads, re-watches, and debates. They deepen the horror by embedding it in the psyche of the characters and, by extension, the audience.
When done well, an unreliable narrator doesn’t just tell a scary story—they become the story. They are the haunted house, the monster under the bed, and the thing in the mirror. You can’t look away, even as you realize you were wrong to trust them in the first place.
Get my sci-fi horror novella Obsidian over at Amazon today!
Or you can visit my online bookstore and find all of my works in all formats in one place!
Comments